Outstanding Work | Rotten 2025
And lo, as Eve worked her way from calf to thigh,
she did gnaw greedily. And she did verily back-hand
all other masticating corpses that dared approach,
sending them sailing through the air to hear them land
with a satisfying thwack.
Barely pausing to chew properly, she did eat her way
from Adam’s toes to his junk. (She and Adam
had given covenant that they would lovingly serve
as each other’s lunch should the other be turned.)
And lo, if Adam did moan as Eve indulged in his member,
Eve’s Zombie ears were deafened to his cries. She
laughed heartily as she ate, saying, “He that hath ears,
let him hear,” for her ears were zombie deaf
and she was consumed solely with her engorgement.
Her own conversion had happened under a tree. Naturally.
One minute, Eve did rest against the rough bark, the next,
she was bitten. Infected. Zombified. God! This would surely
never have happened if they were still in residence in The Garden.
But that damned Adam and his “apple blaming.” Verily, I say,
Eve had never lived it down. First bite (Forbidden). Don’t
do it, Adam! First lie (What’s a lie?) Don’t say it, Adam!
But as we all know, Adam was a man who liked to come out
on top. (Just ask his first wife, Lilith.) But this is the story
of Adam and Eve. Not Adam and Lilith.
And regardless of Adam’s status as a practiced liar,
all these centuries later, Eve knows full well
what a lie is. What it looks like. Smells like. The way
it sticks in the throat, bobbing up and down
as evidence for all to see, ignore it or not.
And behold, Eve did work her way up to that final juicy moment—
the one she had been saving for last. And when she did bite into
Adam’s apple, all she could think was how sweet it was
that at the end of the world, she would finally get a taste of that
cool, crisp sin. The thing that had started it all.
And Eve’s final bite was slick, cold and apple sweet.
KB DeBeasi
KB DeBeasi writes poems, stories and music. Her poems have appeared in Menacing Hedge, Contrary Magazine, The Muleskinner Journal and elsewhere. She is a Best of the Net nominee and also Editor in Chief of The Fairy Tale Magazine. As a composer, she loves setting fairy tale poems as art songs.
Header image: Filippo Balbi, Testa Anatomica (1854)