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Drunken Puppet • So Many Sonias • Daruma Gets His Ears Cleaned

Drunken Puppet

For Barbara Hart

When I saw your new paintings of dolls in distress
I was reminded of Baton Rouge in the ‘80s.

It was always Chimes Street at midnight and the Bayou
for three-ball and threesomes from three until three.

We were all drunken puppets then, especially me.
I was enamored of texture and tangled flesh,

fast cars, excess, and altered states. You looked ahead
and said, “You’ll grow old and die alone.”

Now I live among a tumble of lichen-covered boulders,
Deep in the woods of Tennessee, off a road like a bended knee.

Trees sway in no breeze slim as ghosts with no shoulders,
Copper leaves like sunburnt snowdrifts at the ankles

of these huddled ranks of manikins in their autumn undress.
Well, that’s life. Like the sadness in the mirror of your painted

dolls: Reflection, Wit, Reckoning, and Ascension.
A Man with Flowers, Heartbeat, Fever, Survivor, Finale.

Your poppets have had hard lives, it seems. You were
half right. This drunken puppet died indeed, more than once

but sometimes death is needed. After my purported passing
I’ve grown old but not alone, here on the mountain, haunted by dolls.

So Many Sonias

Sexless like our childhood dolls themselves, they experience
no decline in their permanent sensuality, into which nothing
flows and from which nothing escapes.
–
Rilke, “On Dolls”

So many Sonias haunt our dreams,
pink and blue and still, with cheeks
of curdled cream

mottled with tell-tale petechiae and purpura,
and electrocuted eyes like Helena
Bonham Carter’s, but purer;

their eyelids haloed with necrotic hematomas,
gangrenous rings around the two
dark moons of Mars.

These discarded toys, survivors, could stand for
London strumpets, who risked the foggy lanes
alone for others’ Victorian pleasures, or

the so-called superfluous women, single, able,
but unemployable who thus became
a democratic treasure, enjoyable.

So many Sonias, bow-lips, dimples, and pitted skin
painted, their blinking eyes rolled back in a faint
of not blissful disrememberment.

Daruma Gets His Ears Cleaned

A common motif in Japanese sumi-e painting and netsuke.

Even the wisest among us is
no saint, all numskulls, no
exception.

Whether we can hear the music of suffering
or not
whether we’ve spent nine years banging our eyes
against the wall of a made-up cave
or not
whether our arms fall from our sides
or our legs from our hip sockets
or not
whether tea leaves spring up when our eyelids drop off
or coffee beans hang like tears from our lashes
or not
whether our tongues like flags are idle or flapping
or not
whether our students cut off their hands for us
sew us okesas with nine bands
or not
whether we arise from our own emptiness enlightened
or not
whether our throats are clogged with chant
or (more likely) cant
or not

none of us is exempt.

Picture of Richard Collins

Richard Collins

Richard Collins is a Zen monk who lives in Sewanee, Tennessee. He has taught at universities in the US, Wales, Romania, and Bulgaria. His recent poetry appears in Alien Buddha, Dead Mule School of Southern Literature, Eunoia Review, MockingHeart Review, Pensive, Poem Alone, Shō Poetry Journal, Think, Urthona, and Willawaw Journal. His books include No Fear Zen (Hohm Press, 2015) and a memoir about his early study of art and literature, In Search of the Hermaphrodite (Tough Poets Press, 2024).

Header image by Patrick Hendry.