Of Animals, None So Cruel as Us
Prairie wolf licks his paw, a purification ritual
before a meal, before feasting on his winter bounty.
The pink summer breezes once safely stored in lungs
lie exposed in a field, offering themselves to be read
by the sky like two open palms holding the answer
to the biological imperative of war. This blooming
lotus of a stomach, clutching precious jewels, its core
rich with vitamin K, blood-stone-green with grasses
long since withered, as the rabbit keeps them fresh
inside the soft pocket of itself. If I were a rabbit,
I would feed you pearls of barley, imagine you savoring
each dewdrop lining my furred paws, each fallen
snowflake gathered from the frozen lake by my soft
feet now a harvest on your lips. If I were a rabbit,
would you worship my mother’s life for bringing me
to your plate in her impeccable labor, on that dawn
when no one came sniffing at her burrow, would you
take only what you need, only what rebuffs your hunger,
as the strings binding us in this web compel us to weep
even as we feast, for the hunter and the prey are related
by blood, don’t we know this? As you become stained
in red from jaw all the way down to stomach, the wind
will cover any trace of me with snow, as the Earth cleanses
itself of this mortal sin of brother eating brother,
and the part of us that is animal remains the part that never
asks how the rabbit, the wolf, the snake are never ashamed
of their own hunger, how we hunt with full stomachs,
and still manage to starve.
Night Is a Predator
I.
The mountains reflect mauve. Watermelon
pink. Color of blurred hawk tail. Hue of prey
carried away in a smear across the sky.
My mother calls, asks why I haven’t. She says
no news is never good news to a mother.
She reminds me of terrible things lurking
in alleyways. At this very moment somewhere
a woman is being buried in the dark part of town.
Which part of a city is the dark part?
Graves open, leaving scars across the dirt. This planet
is a rock hurtling through the dark. Under the sun
even our shadows have shadows.
The trailhead parking lot feels lightyears away.
The sun is already plunging behind the horizon—
an orange pebble I kick over the cliff edge
on my way down the crest trail. Shadows slant,
stalk, slink away. So easy to get caught up in one.
II.
I call my mom back and say nothing
about the time she almost drowned me
in the Desna River—my second home,
our almost grave.
I don’t remind her how a hungry hole
opened in the current to suck us under.
How a weak swimmer can be deadly
as a shark. How my hands clung to her
neck, clasped in prayer—
tiny wet miracles.
Then amber bubbles overhead, backlit
by sun, the color of joy fading to black.
Sinkhole of memory.
My father, asleep under a tree,
heard only the music in his headphones.
They tell me I was screaming.
All I heard was river.
III.
After we escaped the river’s mouth
there were nights when I would run
to her bed, convinced the darkness
was chasing me, afraid it was already
inside, aspirated like water in the lungs.
Cradled in her arms, I was a moon stashed
in the pines. Outside, the wolves circled.
Shush, she’d say carrying me back to my bed,
there’s nobody out there.
IV.
I became acquainted with darkness
in my first home—
my mother’s belly.
She doesn’t need to remind me safety
depends on staying in the light,
on keeping out of the path of shadows,
on sometimes staying silent.
Then, when your life depends on it,
screaming and flutter kicking back up
to the surface.
I know I must keep moving. The sharks
circle even as they sleep.
V.
Behind the light’s fading rays, orange crumbs
prick the black sky. Faraway suns in the infinite
mouth of the universe. The night is a predator,
its endless hunger uncharted with newborn stars.
Night plunges a hungry curtain over Albuquerque.
I watch for the combustion of city lights to speckle
the asphalt. Incandescent. Winking sodium vapor.
Eye shine of the hawk.
Soon, the streetlamps will break open, spill
across the sand in godless wet haloes. The Mesa’s
black map waits to swallow someone—
a child, a woman,
the light.
I know change happens in the small holes
between seconds, like falling through time’s trap
door. Without warning the Earth can open
its mouth and I could fall in—
swallowed, no one around
to pull me out this time.
Svetlana Litvinchuk
Svetlana Litvinchuk is the author of a poetry chapbook, Only a Season (Bottlecap Features, 2024) and a forthcoming full-length poetry collection, Navigating the Hallways by Starlight (spring 2026). Nominated for Pushcart, Best of the Net, and a finalist for the Slippery Elm Poetry Prize, her poetry appears in ANMLY, swamp pink, About Place, Flyway, Inflectionist Review, Rust + Moth, Sky Island Journal, Arkana, and elsewhere. She is the Managing Editor of ONLY POEMS and a Guest Editor for Rockvale Review in 2025.
Header image by Issue 15 Featured Artist, Thomas Riesner